After reading the Matthew Shepherd story and learning about
framing and how specific words can shape public opinion in the media aftermath
of tragic events such as these, it reminded me of another tragic event in
American media history – Columbine.
I was twenty-three when this happened and I can still
remember the media headlines that dominated the news and the nightly pundits
that debated who was really to blame for this tragedy – guns or Marilyn
Manson. In some ways, this debate over
who was to blame seemed even more important than the facts that surrounded the
event.
It took ten years and the publishing of Dave Cullen’s book Columbine to change the framing and
rhetoric surrounding one of the worst school shootings in American history at
the time. With a release date timed to coincide with
the tenth anniversary of the tragedy, Cullen’s book dispelled many of the myths
that surrounded the original media reports on the story – reports that some
people even still believe, despite concrete evidence that disputes these
initial rumors put forth by the media.
It seemed easy for everyone to push the blame onto goth
culture, homosexuality, bullying, gun control, or basically anything that didn’t
fit the traditional high school mode of popularity. These were easy assumptions to make, and even
easier assumptions to continue to believe when the media were only talking
about it in this way. And once the
nation accepted this media fed version of why this tragedy happened, the facts
weren’t important anymore. People
weren’t interested in the truth, they had already accepted this particular
version of it and they were content to accept it for simply that and move
forward with their lives. It was no
longer important to understand the truth when there was already a sense of
resolution, no matter how inaccurate it might be.
What’s to be learned from this story – consider your
source. If this, or the Matthew Shepherd
story, or any other tragic event from pre-twitter and Facebook times were to
happen today, I think it would be different.
Multiple immediate perspectives on these kinds of things makes it more difficult
for the media to frame it in a singular sensational way.
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